Srikanth Odela’s ‘The Paradise’ is a Saviour saga that cannot strike a balance between coherent storytelling and cool bloodletting
A bulked-up Nani plays the double-braided Jadal, who belongs to an oppressed...
Sajeev Pazhoor’s ‘Enna Vilai’ is a good story that would have been far better without the high-pitched storytelling
Karunas gives an effective, emotionally naked performance as Thavasi, a fisherman from...
Shaunak Sen’s ‘Termite’ is a spare, thoughtful drama about individuals and communities
Ajith, a quiet termite control worker in Old Delhi, struggles with the...
Meghna Gulzar’s ‘Daayra’ tries to examine the law vs. justice dilemma, but it never really finds a balance
A 24-year-old woman is raped and murdered. Prithviraj Sukumaran is solid as...
‘Lust Stories 3’, on Netflix, is an interesting bunch of stories that explore sexual pleasure through various viewpoints
The four directors this time are Vikramaditya Motwane, Kiran Rao, Shakun Batra,...
Gurmmeet Singh’s ‘Mirzapur: The Movie’ is both a sturdy extension to the hit OTT show and a delightful throwback to masala cinema
The magnificently controlled Pankaj Tripathi returns as Kaleen Bhaiya, the power centre...
Trending Reviews
Srikanth Odela’s ‘The Paradise’ is a Saviour saga that cannot strike a balance between coherent storytelling and cool bloodletting
‘Lust Stories 3’, on Netflix, is an interesting bunch of stories that explore sexual pleasure through various viewpoints
Gurmmeet Singh’s ‘Mirzapur: The Movie’ is both a sturdy extension to the hit OTT show and a delightful throwback to masala cinema
Shahad’s ‘Pradhama Dhrishtya Kuttakar’ is a clever, well-acted procedural that works better as a drama than a thriller
Ben Rekhi’s ‘Last Man in Tower’ is a wonderfully textured drama about holding on to the past versus moving ahead with the rest of the world
Mathimaran Pugazhendhi’s ‘Mandaadi’ is a rock-solid drama set against a boat-racing background
PS Mithran’s ‘Sardar 2’ is an overlong spy thriller that needed more surprises, more thrills
Venu Gopal Reddy’s ‘Romanchakam’ offers plenty of laughs but the emotions don’t work
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The Galatta Plus Archives
R Ravikumar’s ‘Ayalaan’ is too generic to make an impact, but it is a harmless watch
Arun Matheswaran’s ‘Captain Miller’ has interesting ideas, but the film remains an emotionally aloof series of cool shots
Sriram Raghavan’s ‘Merry Christmas’ is an elegant, experimental thriller that’s more interesting to think about than sit through
MS Raaja’s ‘Sevappi’, on Aha OTT, is a multi-character village drama whose “moments” keep us interested, invested
Siddharth Anand’s ‘Fighter’ takes a generic action template and makes it immensely watchable
