Kiran Das’s ‘Unmadham’ is a solid thriller, a supernatural whodunit that keeps crossing the lines between the real and the surreal
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Despite the issues in the second half, Ravi Namburii’s ‘Chennai Love Story’ is a unique and watchable love story
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Charu Wakan’s ‘Maharaja Hostel’ is a lightweight horror-comedy that’s pleasantly nuts
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H Vinoth’s ‘Jana Nayagan’ says goodbye to Vijay the star and welcomes Vijay the saviour
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Sourav Palodhi’s ‘Onekdin Por’ is a gentle, affecting drama about the need for companionship
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Trending Reviews
Kiran Das’s ‘Unmadham’ is a solid thriller, a supernatural whodunit that keeps crossing the lines between the real and the surreal
Despite the issues in the second half, Ravi Namburii’s ‘Chennai Love Story’ is a unique and watchable love story
Charu Wakan’s ‘Maharaja Hostel’ is a lightweight horror-comedy that’s pleasantly nuts
H Vinoth’s ‘Jana Nayagan’ says goodbye to Vijay the star and welcomes Vijay the saviour
Sourav Palodhi’s ‘Onekdin Por’ is a gentle, affecting drama about the need for companionship
Pari Elavazhagan’s ‘Anbe Diana’ is an inter-culture romance that’s undone by messy writing
Murali Kishor Abburu’s ‘Lenin’ is a mostly satisfying love-and-revenge story with elements from the ‘Mahabharata’
Nisam Basheer’s ‘I, Nobody’ is an intriguing but ultimately unsatisfying mix of domestic drama and heist thriller
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The Galatta Plus Archives
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